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<!--Generated by Squarespace Site Server v5.9.2 (http://www.squarespace.com/) on Mon, 15 Mar 2010 19:59:15 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>In Proximity</title><subtitle>Home</subtitle><id>http://www.inproximity.org/blog/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.inproximity.org/blog/"/><link rel="self" type="application/atom+xml" href="http://www.inproximity.org/blog/atom.xml"/><updated>2010-03-15T14:00:59Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.9.2 (http://www.squarespace.com/)">Squarespace</generator><entry><title>How Christianity Needs to Evolve</title><category term="Brian McLaren"/><category term="Culture"/><category term="Jesus"/><category term="Theology"/><category term="Worldviews"/><category term="bible"/><category term="christianity"/><category term="epistemology"/><category term="evolve"/><category term="truth"/><category term="understanding"/><id>http://www.inproximity.org/blog/2010/3/15/how-christianity-needs-to-evolve.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/15/how-christianity-needs-to-evolve.html"/><author><name>Tone Hoeft</name></author><published>2010-03-15T14:00:59Z</published><updated>2010-03-15T14:00:59Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I don't care how you try to shake it, it's pretty hard for anyone to make a lot of stories in the old testament&nbsp;relevant&nbsp;to today's&nbsp;society. Maybe it's because I don't own any goats. Sure, you can "cross the&nbsp;hermeneutical"&nbsp;bridge&nbsp;and look for the&nbsp;principles&nbsp;that apply to today. That's what every good pastor should do, so we are taught. But bible scholar or not, it's impossible not to notice the difference of themes between the old testament and new testament. Hardcore conservatives will put their hands in their ears and scream, saying that there is no difference. But why do you think that this is one of the first things people notice about the bible when reading it? It would be ridiculous to ignore it, but I think this difference is one of its biggest strengths.</p>
<p>Say what? For a majority of Christians, that statement seems "incorrect," but hear me out. Perhaps this change of theme represents something about what the bible as a book is, a changing understanding of God. This is what theologian Brian McLaren thinks anyway. While most conservatives would shoot down McLaren in cold blood, the man has a point. It's not that God is changing, but it is our understanding of who he is that changes. I mean, do you really think that the Hebrews would really have a better understanding of God than those who spent time with Jesus? As we grow as a people, we learn more and more, and thus our understanding evolves.</p>
<p>So what does that mean for us now? It means that our understanding of God needs to evolve to a modern day setting. The new testament as we know it took over 200 years to be formulated and decided upon. The reason it took so long was the early church fathers argued about what was canonical and what wasn't. Their main argumentation was that an author of a piece of "scripture" needed to have personal ties to Jesus. But what happens to us now?</p>
<p>None of us have personal ties to Jesus today. That is to say, one may "know" him through prayer and worship, but you did not really live life with Jesus. So now we're stuck in this awkward place where all of us are trying to figure out what it means to be a Christian in the modern age. Some argue that the best way to do this is to make the bible translate for situation to situation to today. This is certainly one way to do it. But then you run into problems like "cultural significance" and "literal significance." For example, a lot of the passages about women in the bible are often referred to as culturally significant because we would never treat women like that in our modern society.</p>
<p>So the big question is, who gets to decide what is&nbsp;culturally&nbsp;significant? The whole book is steeped in culture and to read it without a cultural lens would be foolish. The only way that "Christian truth" can be understood today is subjective as best. The reason is because nobody has spiritual authority. If someone claims that "God told them the truth," will we believe them? Most people are going to say no. And rightfully so, because the logic of "God told me to" has been&nbsp;misused&nbsp;and abused throughout all of history.</p>
<p>The best that we can do today is compare notes with one another and see what others think. Those that are prone to having everything wrapped up in a black and white box do not like this, but to force&nbsp;spirituality&nbsp;and Christianity into this absolute box is a disservice and manipulative. To say that discussions cannot occur because your understanding is "right" and an abuse of power. Think about the traditional Christian system. In order to have a&nbsp;legitimate&nbsp;voice in Christendom, you must got to school and then seminary. The power structure is explicit and clear.</p>
<p>The biggest challenge for us today is to figure out how Christianity works in today's society. We can only do that by living life together and having open discourse about the process. In the process of the discussion, I think we find the freedom so often proclaimed by&nbsp;Christianity&nbsp;and the bible. But what do you think? Does this make sense to you, or have I now branded myself as a&nbsp;heretic? Sound off below!</p>]]></content></entry><entry><title>Top 3cast Episode 10: The Trenta Edition</title><category term="Top 3cast"/><id>http://www.inproximity.org/blog/2010/3/14/top-3cast-episode-10-the-trenta-edition.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/14/top-3cast-episode-10-the-trenta-edition.html"/><author><name>Tone Hoeft</name></author><published>2010-03-15T04:23:57Z</published><updated>2010-03-15T04:23:57Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Why would we call something "trenta" when it's only episode 10? These mysteries and more answered on this week's podcast!</p>
<p><a href="http://www.inproximity.org/top3cast/2010/3/14/episode-10-the-trenta-edition.html">Top 3cast Episode 10: The Trenta Edition</a></p>]]></content></entry><entry><title>A_______ of the ________ (Moon Review)</title><category term="Culture"/><category term="Duncan Jones"/><category term="Media"/><category term="Moon"/><category term="Sam Rockwell"/><category term="Sci-Fi"/><category term="movie reviews"/><id>http://www.inproximity.org/blog/2010/3/12/a_______-of-the-________-moon-review.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/12/a_______-of-the-________-moon-review.html"/><author><name>Tone Hoeft</name></author><published>2010-03-13T03:00:19Z</published><updated>2010-03-13T03:00:19Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Yes, I know the title is cryptic. But I couldn't post the full title of what I wanted to call this post because it would only give away major plot points of the movie. So let's get this out of the way up front. <em>Moon </em>is a fantastic sci-fi movie, a real thinking man's movie. In fact, this is what sci-fi is all about, getting people to think about abstract hypothetical situations. This is what makes this film so powerful. It's not about watching how much stuff you can blow up in space or cool robots, but it's about trying to explore the human condition. The cinematography is beautiful, the music is awesome, and Sam Rockwell does a bang up job acting. Okay, the <strong>rest is spoilers</strong>. You've been warned. The rest of this review is going to be about dissecting the major themes of <em>Moon</em>.</p>
<p>&nbsp;<span class="full-image-float-left ssNonEditable"><span><img src="http://www.aceshowbiz.com/images/contest/moon_poster.jpg?__SQUARESPACE_CACHEVERSION=1266048937633" alt="" /></span></span></p>
<p>&nbsp;</p>
<p>What I wanted to call this post was "Attack of the Clones." If you've seen the movie, then you know why. But let's face it, putting that in the title would have given too much away. <em>Moon </em>raises a lot of interesting questions to think about. The biggest one of course is, "What does it mean to be human?" After coming to terms with the fact that the two Sams are indeed clones (at first, I thought they were hallucinations), we are left to contemplate the idea of which Sam is real? Gerty says it best when he says that both of these Sams are the real Sam Bell. But are they though? The first Sam we meet (here on out called "Sam A") is a patient and laid back individual. However the new Sam ("Sam B") is a rash and proactive person.</p>
<p>At this point it is clear to see that we are examining the fine points of character growth. Sam A is forced to see the person that he was in the incarnation of Sam B. But the question this raises is if every iteration of Sam has seen the same growth over the course of their three individual year stints? For instance, Sam B is unlike any Sam that has come before him in that he was able to escape from the moon. It's true the circumstances Sam B faced were unlike any of the previous Sams, but he was still able to do something different.</p>
<p>What I'm proposing is a mixture of alternate universe theory and cloning. What I mean is that this is how Sam would have turned out in these different scenarios. Given the extreme different situations between Sam A and Sam B, we see two completely different Sams. The only thing that separates them is time and circumstances. But are both these Sams the real Sam? Absolutely. They've just been dealt a different set of cards. <em>Moon </em>is a collision of what happens if two alternate universes were to collide. What's makes the situation even more complex is that Sam A influences Sam B. But Sam B would not be the person he has become without the impact that Sam A had, which is unique to the circumstances Sam A faced. Damn. Confused yet?</p>
<p>While there are many major ideas to discuss, I think <em>Moon </em>is trying to get at the heart of what it mean to be alive. No matter where we came from, we are always a product of the circumstances that life presents to us. We don't have control over these circumstances, but it is the way that we react that shapes the people we become. In life, it doesn't matter what decision you make. What matters is being able to discern how life would be different if you had made other choices and learn from these non-existent parallel universes. How will you let your Sam A influence you?</p>
<p>This is what I got out of <em>Moon</em>. I know there are others that have seen other things from this movie. Feel free to leave your ideas on what you think about <em>Moon </em>below.</p>
<p>Oh, and I think it goes without saying. 5 out of 5.</p>]]></content></entry><entry><title>The Hoeft Equation for Solar Flares</title><category term="Culture"/><category term="Media"/><category term="Solar Flares"/><category term="apocalypse"/><category term="end of the world"/><category term="fact"/><category term="math"/><category term="science"/><category term="the Hoeft Equation"/><id>http://www.inproximity.org/blog/2010/3/10/the-hoeft-equation-for-solar-flares.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/10/the-hoeft-equation-for-solar-flares.html"/><author><name>Tone Hoeft</name></author><published>2010-03-10T15:00:43Z</published><updated>2010-03-10T15:00:43Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I'm not sure what is up with my obsession with the end of the world lately, but as promised in the podcast a <a href="http://www.inproximity.org/top3cast/2010/2/28/episode-8-theyre-called-killer-whales-for-a-reason.html">couple of weeks ago</a>&nbsp;inspired by <a href="http://www.npr.org/templates/story/story.php?storyId=124125001&amp;ps=cprs">this article</a> from NPR, here is the official mathematical formula I have&nbsp;derived&nbsp;through scientific&nbsp;research. Use this formula to predict what the chance of dying from a solar flare is in your specific location at the time of calculation.</p>
<p><span class="full-image-inline ssNonEditable"><span><img src="http://www.inproximity.org/storage/solardesturction.jpg?__SQUARESPACE_CACHEVERSION=1267671276429" alt="" /></span></span></p>
<p><span class="full-image-inline ssNonEditable"><span>The variables and constants defined, then explanation.</span></span></p>
<ul>
<li>d =&nbsp;Probability&nbsp;of the chance of destruction via solar flares</li>
<li>l = The&nbsp;latitude&nbsp;of your location</li>
<li>g = The longitude of your location</li>
<li>c = Current temperature in Celsius</li>
<li>r = Tone's random/constant: A random number between 1-10</li>
<li>s = The speed of light: 299,792,458 m/s</li>
</ul>
<p>By calculating this formula, you will arrive at a&nbsp;probability&nbsp;of how likely it is that you will be destroyed by solar flares, otherwise known as d.</p>
<p>First, we take the absolute value of the&nbsp;latitude (l) plus the longitude (g) of your current location. The reason for this is because one's location has a direction impact on your position to the sun, thus increasing your chances of being&nbsp;engulfed&nbsp;in a solar flare. Obviously.</p>
<p>Then you multiply this value by the current temperature of where you are. It is very important that you use the current temperature, otherwise you will not get accurate results. Simple logic follows that the hotter it is, the more likely that the sun will kill you.</p>
<p>The next step is to multiply by r, Tone's random constant. Because a lot of&nbsp;catastrophic&nbsp;projections involve wild speculation, it is only appropriate to include your own wild speculation. Thus, feel free to choose any number between 1 and 10. It makes for the best science. Look it up.</p>
<p>Finally you take this value and divide it by s, the speed of light. This is because the chance of destruction is directly impacted by how quickly the solar flares will advance towards the earth. You can't argue with science. I encourage you to try this equation to see your chance of imminent destruction by solar flares.</p>
<p>For example. the absolute value of my&nbsp;latitude&nbsp;and longitude is 67.767. I then multiply that by 8.889 (for the temperature) and then multiply that by 7 (a good lucky number). This results in 4,216.667. Divide this by the speed of light, and you get .000014. This means that I have a .0014% chance of dying from a solar flare at this moment.&nbsp;</p>
<p>You're welcome. Use this information wisely. Tell your mom you love her.</p>
<p>&nbsp;</p>]]></content></entry><entry><title>Top 3 Video: March 9th</title><category term="Top 3 Video"/><id>http://www.inproximity.org/blog/2010/3/9/top-3-video-march-9th.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/9/top-3-video-march-9th.html"/><author><name>Tone Hoeft</name></author><published>2010-03-09T16:00:56Z</published><updated>2010-03-09T16:00:56Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>The title says it all. Tone's Tuesday Monologue is now changing to Top 3 Video, a&nbsp;satirical&nbsp;look at some of stories from the previous week. Take a watch and let me know what you think (it's under 3 minutes, it won't take long)!</p>
<p>Because of the new video format, Top 3 Video will take the place of Wednesday posts starting next week. There's only so much one man can do! Thanks for taking the time to watch, your comments are always appreciated.</p>
<p><a href="http://www.inproximity.org/top3video/2010/3/9/top-3-video-march-9th.html">Top 3 Video: March 9th</a></p>]]></content></entry><entry><title>Oscar Results: Screenwriting Travesties</title><category term="Culture"/><category term="Inglourious Basterds"/><category term="Media"/><category term="Up in the Air"/><category term="movies"/><category term="oscars"/><category term="screenwriting"/><id>http://www.inproximity.org/blog/2010/3/8/oscar-results-screenwriting-travesties.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/8/oscar-results-screenwriting-travesties.html"/><author><name>Tone Hoeft</name></author><published>2010-03-08T15:00:30Z</published><updated>2010-03-08T15:00:30Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Now that the Oscars are done with, we hit a nice lull in the award season drama. It's time to check in with the&nbsp;prediction&nbsp;results. Hopefully you did well. This year My predictions were pretty spot on with some notable exceptions. For example, "The Hurt Locker" won best original screenplay? It may have been put together well, but to say that it was better written than "Inglourious Basterds" is kind of insulting to the art of screenwriting. I mean, have you seen the&nbsp;dialogue&nbsp;in that movie? Also, I am bummed that "Up in the Air" didn't win anything. It's still one of my favorite movies from last year. That and "The Brothers Bloom." Oh well, 10 points overall isn't awful.</p>
<p>My predictions are in <em>italics </em>and actual winners are in <strong>bold.</strong></p>
<p><span style="text-decoration: underline;">Best Supporting Actor:</span></p>
<ul>
<li>Matt Damon in "Invictus"&nbsp;</li>
<li>Woody Harrelson in "The Messenger"&nbsp;</li>
<li>Christopher Plummer in "The Last Station"</li>
<li>Stanley Tucci in "The Lovely Bones"&nbsp;</li>
<li><em><strong>Christoph Waltz in "Inglourious Basterds"&nbsp;</strong></em></li>
</ul>
<p><span>Best Supporting Actress:</span></p>
<ul>
<li>Pen&eacute;lope Cruz in "Nine"</li>
<li>Vera Farmiga in "Up in the Air"</li>
<li>Maggie Gyllenhaal in "Crazy Heart"</li>
<li>Anna Kendrick in "Up in the Air"&nbsp;</li>
<li><em><strong>Mo'Nique in "Precious: Based on the Novel 'Push' by Sapphire"</strong></em></li>
</ul>
<p><span>Best Adapted Screenplay:<span>&nbsp;</span></span></p>
<ul>
<li>"District 9"</li>
<li>"An Education"</li>
<li>"In the Loop"</li>
<li><strong>"Precious: Based on the Novel 'Push' by Sapphire"</strong></li>
<li><em>"Up in the Air"</em></li>
</ul>
<p><span>Best Original Screenplay:<span>&nbsp;</span></span></p>
<ul>
<li><strong>"The Hurt Locker"</strong></li>
<li><em>"Inglourious Basterds"</em></li>
<li>"The Messenger"</li>
<li>"A Serious Man"</li>
<li>"Up"</li>
</ul>
<p><span>Best Animated Film:</span></p>
<ul>
<li>"Coraline"</li>
<li>"Fantastic Mr. Fox"</li>
<li>"The Princess and the Frog"</li>
<li>"The Secret of Kells"</li>
<li><em><strong>"Up"</strong></em></li>
</ul>
<p><span>Best Actor:</span></p>
<ul>
<li><em><strong>Jeff Bridges in "Crazy Heart"</strong></em></li>
<li>George Clooney in "Up in the Air"</li>
<li>Coin Firth in "A Single Man"</li>
<li>Morgan Freeman in "Invictus"</li>
<li>Jeremy Renner in "The Hurt Locker"</li>
</ul>
<p><span>Best Actress:</span></p>
<ul>
<li><strong>Sandra Bullock in "The Blind Side"</strong></li>
<li><em>Helen Mirren in "The Last Station"</em></li>
<li>Carey Mulligan in "An Education"</li>
<li>Gabourey Sidibe in "Precious: Based on the Novel 'Push' by Sapphire"</li>
<li>Meryl Streep in "Julie &amp; Julia"</li>
</ul>
<p><span>Best Director:</span></p>
<ul>
<li>James Cameron- "Avatar"</li>
<li><em><strong>Kathryn Bigelow- "The Hurt Locker"</strong></em></li>
<li>Quentin Tarantino- "Inglourious Basterds"</li>
<li>Lee Daniels- "Precious: Based on the Novel 'Push' by Sapphire"</li>
<li>Jason Reitman- "Up in the Air"</li>
</ul>
<p><span>Best Picture:</span></p>
<ul>
<li>"Avatar"</li>
<li>"The Blind Side"</li>
<li>"District 9"</li>
<li>"An Education"</li>
<li><em><strong>"The Hurt Locker"</strong></em></li>
<li>"Inglourious Basterds"</li>
<li>"Precious: Based on the Novel 'Push' by Sapphire"</li>
<li>"A Serious Man"</li>
<li>"Up"</li>
<li>"Up in the Air" &nbsp;</li>
</ul>]]></content></entry><entry><title>Top 3cast Episode 9: Throwing Bologna at Those Hoes</title><category term="Bologna"/><category term="Top 3cast"/><id>http://www.inproximity.org/blog/2010/3/7/top-3cast-episode-9-throwing-bologna-at-those-hoes.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/7/top-3cast-episode-9-throwing-bologna-at-those-hoes.html"/><author><name>Tone Hoeft</name></author><published>2010-03-08T03:40:26Z</published><updated>2010-03-08T03:40:26Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>The <a href="http://tonehoeft.squarespace.com/top3cast/2010/3/7/episode-9-throwing-bologna-at-those-hoes.html">new episode</a> is up. I suggest you check it out. Otherwise we might throw some bologna at you. Plus, seriously... why is bologna spelt like that?</p>]]></content></entry><entry><title>English Bromance ("Sherlock Holmes" review)</title><category term="Culture"/><category term="Jude Law"/><category term="Media"/><category term="Rachel McAdams"/><category term="Robert Downey Jr."/><category term="Sherlock Holmes"/><category term="bromance"/><category term="movie reviews"/><id>http://www.inproximity.org/blog/2010/3/5/english-bromance-sherlock-holmes-review.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/5/english-bromance-sherlock-holmes-review.html"/><author><name>Tone Hoeft</name></author><published>2010-03-05T15:00:29Z</published><updated>2010-03-05T15:00:29Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I honestly couldn't believe "Sherlock Holmes" was still in&nbsp;theaters. That's pretty remarkable&nbsp;considering&nbsp;that it came out during Christmas. I'm guessing someone in charge of the theatre really likes this movie. I honestly really wanted to watch this movie but I never got around to it. So here I am, fresh out of watching "Sherlock Holmes." Was it worth it or was it just another excuse to film a movie about a bromance?</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.atnzone.com/nz/wp-content/uploads/2009/12/sherlock-holmes-final-poster.jpg?__SQUARESPACE_CACHEVERSION=1266646756773" alt="" /></span></span>Let's start with the positives. This is a very pretty movie. The fights are all well&nbsp;choreographed, the shots stunning, and art direction wonderful. Yeah... that's about it. Okay, I should probably stick up for Jude Law and Robert Downey Jr. because they do a fantastic job with what they've got to work with. As much as I make fun, the best part of the movie is watching the growing relationship between Holmes and Watson.</p>
<p>Okay... now for the bad part. Let's start with Rachel McAdams. For some reason she sticks out of this movie like a sore thumb. None of her&nbsp;performances&nbsp;are that convincing and she drags down every scene,&nbsp;especially&nbsp;when the scene contains Watson and Holmes. It's like Law and Downey are giving it their all and McAdams is barely trying. You can tell that these are actors on different levels.</p>
<p>The biggest problem with this movie is that it seems to be confused about what it is. It wants to have a unique and quirky style, but in trying to&nbsp;achieve&nbsp;that effect it mixes a bunch of things together. You walk away from the film going, "meh," not being impressed with what you saw but at the same time not hating it either. So what are you "Sherlock Holmes?" Funny, quippy mystery? Stylized artistic drama? Anything with&nbsp;definition? That's the issue. If I had to describe the style of this film to someone, I wouldn't really know how. Sometimes it's groundbreaking, in this case, it's not a good thing.</p>
<p>Another problem is with the script and the dialogue. The way that it is written it seems like every line is supposed to zip by (think "Better Off Ted" or "Pushing Daisies"). Unfortunately, it doesn't quite reach the speed that it needs to to be funny or quick. Instead it just feels rushed. Every line sounds like it was written with the intent to sound smart or funny instead of being actual dialogue. Mix that with the fact that almost every other line is Holmes explaining one thing or another and it gets tiresome very quickly.</p>
<p>Like I said, this isn't a bad movie. It's unfortunate that there are so many things holding it back from being truly great. When it boils down to it, I have a hard time&nbsp;recommending&nbsp;it. Maybe watch it on a rainy day? 3 out of 5.</p>]]></content></entry><entry><title>Stop Injustice by Word of Mouth</title><category term="Culture"/><category term="Food Inc."/><category term="IOC"/><category term="Media"/><category term="Top 3cast"/><category term="Twitter"/><category term="Worldviews"/><category term="injustice"/><category term="olympics"/><category term="social justice"/><category term="social networks"/><id>http://www.inproximity.org/blog/2010/3/3/stop-injustice-by-word-of-mouth.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/3/stop-injustice-by-word-of-mouth.html"/><author><name>Tone Hoeft</name></author><published>2010-03-03T15:00:34Z</published><updated>2010-03-03T15:00:34Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Can I be a little honest? I'm getting a little discouraged with the world and the powers that rule over it. There are plenty of things that we can do everyday to make the world a better place, but what can be done to fix some of the bigger issues facing humanity? I get the idea that if enough little things are done, then eventually we'll reach a "tipping point" where the big things follow suit, but honestly, I'm starting to think they won't.</p>
<p>I can think of two major examples that made me think of this, one serious and one not so serious. I recently watched <em>Food, Inc.</em>&nbsp;which is a great documentary that discusses the problems with the modern food industry. As they talked more and more about the way that the government and&nbsp;corporations&nbsp;have control over the way we work with and produce food, I couldn't help but think how oppressive and tight that grip of control actually is. I mean seriously, these guys are producing food that can harm American people while being fully aware of it so that they can make a quick buck. I was moved after watching that movie, but what can one person do against billion dollar corporations? The documentary even depicts farmers who are trying to fight against "the man," and end up getting beaten down. It's a major problem that needs fixing, but what can I do besides tell other people?</p>
<p>The second issue that makes me think of this is all of the copyright issues happening with the Olympics. If you've been following any coverage of how locked down Olympics coverage is, then you know it is absolutely&nbsp;ludicrous. For a quick primer, I suggest reading <a href="http://news.cnet.com/8301-31322_3-10459382-256.html?tag=mncol;title">this post</a> by Molly Wood of CNET. But in essence, the IOC is threatening legal action against people who use their copyrighted names during the Olympics. This includes the names of any Olympic athlete&nbsp;competing&nbsp;in the games. How nuts is that? It's&nbsp;completely&nbsp;crazy, but what can we do about it? There's nothing that one person can do in the fight for rights against the IOC. It feels like the only thing I can do is rant and rave about it to people who will listen.</p>
<p>And maybe that's the very action that we are expected to take. One person alone can't take down giant monolithic&nbsp;organizations. But one person can let other people know about the ridiculous things happening across the world everyday. And perhaps when enough people care, it will hit a critical mass that can cause true and lasting change.</p>
<p>If you've been listening to <a href="http://www.inproximity.org/top3cast">Top 3cast</a>, we've been talking about the power of Twitter to spread the word about social movements and causes. While it may seem like one person can't do a whole lot, they can do their part to spread the news to others so that as a group, we can do something about it. Change is in the power of the mob, we've just got to learn how to&nbsp;mobilize.</p>]]></content></entry><entry><title>The New and Improved Monologue</title><category term="Personal"/><category term="updates"/><id>http://www.inproximity.org/blog/2010/3/2/the-new-and-improved-monologue.html</id><link rel="alternate" type="text/html" href="http://www.inproximity.org/blog/2010/3/2/the-new-and-improved-monologue.html"/><author><name>Tone Hoeft</name></author><published>2010-03-02T15:00:40Z</published><updated>2010-03-02T15:00:40Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>For those of you who liked the Tuesday monologue (all one of you), there will be none today. But have no fear, the reason is because it's getting upgraded and improved! Check back next Tuesday to see the newest edition to the InProximity family!</p>]]></content></entry></feed>